Foreplay
God moves in a mysterious way. Very often, in the midst of hardship, we don't understand why God is "so far off." Why does He come, and then seemingly go? We know that we are pilgrims on earth, groaning for Christ's final return when all creation will be made new. Perhaps this is God's foreplay. He is preparing to return, and indwell the earth. In that day, Christ will know his bride.
From Peter Leithart's exposition of the Song of Songs:
"Why didn’t the Son come in the flesh just outside Eden? The erotic theology of the Song of Songs provides a possible hint. Throughout the Song, the lovers admire each other’s bodies and express their longing desires to be together. Union comes at the end of reciprocal arousal. ”Let him kiss me with the kisses of his mouth,” the bride says at the outset. ”How beautiful you are, my darling, how beautiful you are!” says the bridegroom. But the bride doesn’t get her winekiss until later, until he takes her to his “house of wine” (2:4) and until his enters the locked garden and drinks of the wine, milk, and honey of her lips and mouth (4:11-5:1). A period of intensifying desire precedes tasting and touching; distance, approach, distance, approach, repeated again and again before consummation.
The history of Israel is God’s foreplay with His bride, bringing her to a pitch of desire before He takes flesh and dwells with her. Perhaps too this provides a way of describing the frenzy of Messianic excitement that Israel was undergoing in the first century.
God waits to send His Son because He is a good lover."
Illuminated Manuscripts
This brings us to the true function of decoration in a twelfth-century book. It was clearly not just because it was pretty. The twelfth century was an age which delighted in classification and ordering of knowledge. Its most admired writers, men like Peter Lombard and Gratian, arranged and shuffled information into order that was accessible and easy to use. Twelfth-century readers loved encyclopedias...Les us then consider book illumination in these terms. It suddenly becomes easy to understand. Initials mark the beginning of books or chapters (PL.85). They make a manuscript easy to use. It helps classify the priorities of the text...A newspaper does this today with headlines of different sizes...any reader of a modern newspaper will fiercely defend his choice of paper by praising the text, not the layout or illustrations. It is not surprising that the twelfth-century chroniclers from St. Albans, Lincoln, and Canterbury complimented the accuracy of manuscripts when what they meant was that they liked using them.
Christopher De Hamel, A History of Illuminated Manuscripts 99.
Turning the Cheek
A student, Daniel Foucachon, gave some very thoughtful perspectives on Jesus' instructions in the Sermon on the Mount. He noted that Jesus is not commending non-resistance, but a particular kind of resistance. Our resistance is modeled on Jesus' own; He conquered by going willingly to the cross, and He instructs us to do the same in the details of life.
Regarding the instructions to give more than adversaries ask, he points out that the Bible says the borrower is the slave of the lender. When we give more than is demanded of us, we become lenders and place our opponent in the place of a borrower. Giving more than asked thus reverses the power relationship, so that the "oppressed" takes mastery of the situation. We really do "overcome" evil with good.
-Dr. Leithart, Leithart.com
Harmony of the Gospels
If you hold that Dante's Divine Comedy was written verse after verse, then you must also judge the Gospels as separate entities. However, you then must forgive me if I am not interested in your views because you prove yourself a complete barbarian in matters of creation. A great symphony first exists as a whole and later it unfolds in its single movements. Quacks may patch four movements together; that, however, entitles us to call them quacks. The whole test of Christianity is that it binds all the times together.
- Eugen Rosenstock-Huessy, Fruit of Lips, 133.
Apocalyptic Language
We do this [use apocalyptic language] all the time ourselves. I have often pointed out to students that to describe the fall of the Berlin Wall, as one well might, as an 'earth-shattering event' might perhaps lead some future historian, writing in the Martian Journal of Early European Studies, to hypothesize that an earthquake had caused the collapse of the Wall, leading to both sides realizing they could live together after all. A good many readings of apocalyptic literature in our own century operate on about that level of misunderstanding.
-N.T. Wright, The New Testament and the People of God, 282.
